- The Financial Times
- Best of all, the conductor Kazushi Ono sees Humperdinck's glorious score with clear-headed simplicity and draws first-class playing from the London Philharmonic orchestra.
（By Richard Fairman, The Financial Times）
- The Independent
- Given what the music is doing-gloriously, under the baton of Kazushi Ono-the staging is oddly ineffectual.---Ono and the London philharmonic keep it light,rhythmic and transparent.
（By Edward seckerson, The Independent）
- The Times
- What lifts the evening are the beautifully ROMANTIC,lovingly nuanced playing of the London Philharmonic under Kazushi Ono's lyrical direction,---
（By Richrd Morrison, The Times）
- the Sunday Times
- At least there is musical distinction from the pit, where the debutant Japanese conductor, Kazushi Ono, coaxes a sumptuous account of Humperdinck's richly orchestrated and memorably melodious score from the London Philharmonic.
（By Hugh Cunning, the Sunday Times）
- the Guardian
- Musically there is something admire,especially Kazushi Ono's conducting, which encompasses all the breath, warmth and charm of the Humperdinck's score---
（By Andrew Clements, the Guardian）
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